Joyce Blond: From Quiet Covers to Barcelona's Pop Spotlight
Barcelona’s music scene just got louder—and a lot more personal. Meet Joyce Blond, a pop artist from Pego who's quietly built his dream in the city’s vibrant creative underground.
Suggested:
It’s not every day you meet someone who’s been laced into the music scene for 40 years and still talks about the future like they’re just warming up. D.mosis is that kind of artist. A musician, writer, producer, and genre-bender who’s worked behind the scenes with legends and now steps fully into his own spotlight.
His resume reads like a roadmap through R&B, funk, jazz, soul, reggae, and pop, yet the energy he brings feels fresh, not recycled. This is the story of a seasoned creative doing what many only dream of—making their best music when they know exactly who they are.
Always In Motion: A Sonic Legacy
D.mosis isn’t new to this. His early days saw him signing a writing deal with A&M Records and landing two songs on Ce Ce Peniston’s Finally—a record that earned gold status and a permanent place in R&B history. His credits span across labels like Strictly Rhythm and Plastic Records, and his catalog continues to make noise on movie and TV soundtracks thanks to collaborations with Fervor Records. But what’s most striking isn’t the accolades —it’s how D.mosis talks about his journey. “Teamwork makes the dream work,” he says, reflecting on the people who’ve helped bring his concepts to life. There’s no ego here, just a drive to keep creating and contributing.
Genre is Just a Starting Point
Talk to D.mosis about genres and you’ll hear names like James Brown, The Beatles, Prince, and Rick James—but you’ll also hear the beat of his own drum. His music floats somewhere between soul-searching inspiration and funk-fueled grooves, laced with the bold edge of rock and the warmth of classic reggae. “I write in the moment,” he says. There’s no template, no overplanning. Just a pulse, a feeling, and the drive to capture it. That spontaneity extends into his visuals, too—no strict aesthetic rules, just whatever the music calls for. “I work with a great lady who enhances the album ideas,” he adds. “She deserves her flowers.”
Collaborations & Coming Into His Own
Over the years, D.mosis has shared creative spaces with industry icons like Joni Sledge (of Sister Sledge), Malika Sallered, and the trio Truce. He’s done his part to lift other voices, and now, he’s tuned into his own frequency. “This time, I’m doing my thing for what really matters to me,” he explains. It’s not about a comeback. It’s about continuity. A creative evolution that doesn’t rush or repeat—just builds. There’s a quiet confidence in how he moves: no flashy rollout, just music with meaning, delivered at his pace.
Conclusion: Lessons From the Long Game
D.mosis is proof that music doesn’t age—it grows. Through all the industry shifts and personal highs and lows, he’s stayed rooted in passion and balance. His advice for the next wave? “Bring your best while your time is at hand... Trust your passion, with balance. Too much candy can rot your bite.” It’s witty, wise, and straight from the heart. And when he hits the stage—yes, he still does—expect fireworks. The road stories are many, the miles traveled long, but D.mosis is still lit, still live, still delivering the groove.
Valerie is the writer of Wavy Music Magazine, a premier destination for music industry professionals. Through her interviews, reviews, and expert insights, she keeps readers up-to-date on the latest trends and developments in the world of music.
Barcelona’s music scene just got louder—and a lot more personal. Meet Joyce Blond, a pop artist from Pego who's quietly built his dream in the city’s vibrant creative underground.
In a world where voices are abundant but stories are scarce, Bēatrice is one of those rare new artists whose sound is backed by substance.
At just 16, Lucinda Jennings is already doing what many spend years figuring out— building a musical identity that’s honest, textured, and entirely her own. Based in the creative town of Woodstock, NY, Lucinda’s approach to music-making leans far from conventional.